阿姨 PSEUGLAM

virtual-artifacts:

Mayuri (peacock), 19th century India 
Wood, parchment, metal, feathers;
L. 44 in. (112 cm) The Crosby Brown Collection of Musical Instruments, 1889 (89.4.163)
Popular at nineteenth-century Indian courts, this bowed lute borrows features of other Indian stringed instruments, such as the body shape of the sarangi and the frets and neck of the sitar. There are four melody strings and fifteen sympathetic strings, which sound when the instrument is played to accompany popular religious song. The peacock is the vehicle of Sarasvati, the goddess of music, and it appears in Indian poetry as a metaphor for courtship. View Larger

virtual-artifacts:

Mayuri (peacock), 19th century India

Wood, parchment, metal, feathers;

L. 44 in. (112 cm) The Crosby Brown Collection of Musical Instruments, 1889 (89.4.163)

Popular at nineteenth-century Indian courts, this bowed lute borrows features of other Indian stringed instruments, such as the body shape of the sarangi and the frets and neck of the sitar. There are four melody strings and fifteen sympathetic strings, which sound when the instrument is played to accompany popular religious song. The peacock is the vehicle of Sarasvati, the goddess of music, and it appears in Indian poetry as a metaphor for courtship.


darksilenceinsuburbia:

Kati Horna

Mujer y máscara [Woman with Mask]
Mexico, 1963
Gelatin silver print
25 x 19.7 cm
Archivo Privado de Fotografía y Gráfica Kati y José Horna
© 2005 Ana María Norah Horna y Fernández

Untitled, Carnaval de Huejotzingo, Puebla
1941
Gelatin silver print
19.5 x 21.5 cm
Archivo Privado de Fotografía y Gráfica Kati y José Horna
© 2005 Ana María Norah Horna y Fernández

Untitled
Mexico, 1962
From the Oda a la necrofília series [Ode to Necrophilia]
Gelatin silver print
25.4 x 20.8 cm
Museo Amparo Collection
© 2005 Ana María Norah Horna y Fernández